Rain against a window with a mug on the sill, boots drying by the firewood, a hedgehog going home with more mushrooms than it can carry. Twelve free autumn sheets.
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Bicycle with leaves, drawn as one complete scene. Open shapes and plenty of air — one of the easier sheets to start with.
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Hedgehog under a mushroom — one continuous illustration, not an object floating on white. The animal is the quick part — the room around it is what keeps you there.
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Autumn wreath. Plenty in the background if you want to go slowly. Open shapes and plenty of air — one of the easier sheets to start with.
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Window with rain and mug, with more in it than it looks at first. A window full of small props — the sheet to reach for when you want a fine pen.
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Squirrel arranging acorns on shelf — a scene you can sit inside for an evening. A wall of spines: pick three colours and repeat them out of order rather than one per book.
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Candles, leaves and pumpkins. Everything in frame, nothing cropped. Colour the light rather than the sky and it reads as night.
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Hedgehog carrying a basket of mushrooms, drawn as one complete scene. The animal is the quick part — the room around it is what keeps you there.
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Ducks crossing puddle — one continuous illustration, not an object floating on white. The animal is the quick part — the room around it is what keeps you there.
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Firewood and boots. Plenty in the background if you want to go slowly. Closed shapes throughout, so a marker stays where you put it.
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Apple press, with more in it than it looks at first. Closed shapes throughout, so a marker stays where you put it.
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Knitted jumpers and apple basket — a scene you can sit inside for an evening. Closed shapes throughout, so a marker stays where you put it.
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Skates and boots. Everything in frame, nothing cropped. Closed shapes throughout, so a marker stays where you put it.
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Choose “Actual size” or “Fit to page”, never “Scale to fit media” — that one crops the drawing at the edges without telling you.
Plain copier paper is fine for pencils. Markers need at least 100 gsm, ideally 120, or the colour comes through onto the next sheet.
Economy and draft settings thin the lines until alcohol markers escape through them. Print these at normal quality, black ink only.
Autumn is the easiest season to colour badly. Everyone reaches for the same three oranges and the page ends up looking like a bag of sweets. The sheets here are drawn to reward the opposite approach: a lot of ochre and unbleached brown, one real red used sparingly, and large areas left as bare paper so the eye has somewhere to rest.
The scenes are the small mechanics of the season rather than its postcard. An apple press mid-work. Jumpers folded on a chair next to a basket of apples. Ducks crossing a puddle in coats, which is the sort of thing that only happens in drawings and should happen more often. A shelf where a squirrel has been organising acorns by size.
Line weight matters more in autumn scenes than in any other because of the leaves. Every sheet here keeps leaf outlines thick enough to hold a marker tip without closing up, and there is no hatching anywhere — the texture you see is real drawn detail, not shading you have to work around.
If you are colouring through the season rather than for one evening, the full autumn pack has forty scenes and both line weights, so you can hand the bold version to someone using markers and keep the fine one for pencils.
Anything with a soft core layers well over these outlines — the usual wax-based sets are ideal. Water-based markers also work; alcohol markers need paper of at least 120 gsm or they will strike through.
No, they are separate collections. The Thanksgiving sheets are about the table and the harvest; these are about the season outdoors and indoors generally.
As many times as you like, for yourself and for one classroom or group. Selling or re-sharing the files is not allowed.
No. Click a sheet, the PDF downloads. There is no email wall anywhere on this site.