Cats in the places cats actually end up: the hammock, the top shelf, the empty box, the exact centre of the desk you were using. Twelve free sheets.
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Cat asleep in a hammock, drawn as one complete scene. The animal is the quick part — the room around it is what keeps you there.
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Cat sleeping at post office — one continuous illustration, not an object floating on white. The animal is the quick part — the room around it is what keeps you there.
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Cat sleeping near bicycle. Plenty in the background if you want to go slowly. The animal is the quick part — the room around it is what keeps you there.
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Cat sleeping on balcony plants, with more in it than it looks at first. The animal is the quick part — the room around it is what keeps you there.
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Cat on bookshelf ladder — a scene you can sit inside for an evening. A wall of spines: pick three colours and repeat them out of order rather than one per book.
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Black cat on fence. Everything in frame, nothing cropped. The animal is the quick part — the room around it is what keeps you there.
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Cat on bookshelf wall, drawn as one complete scene. A wall of spines: pick three colours and repeat them out of order rather than one per book.
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Cat perched on books — one continuous illustration, not an object floating on white. A wall of spines: pick three colours and repeat them out of order rather than one per book.
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Cat sleeping by bay window. Plenty in the background if you want to go slowly. The animal is the quick part — the room around it is what keeps you there.
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Cat looking out cabin window, with more in it than it looks at first. The animal is the quick part — the room around it is what keeps you there.
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Cat sitting in gift box — a scene you can sit inside for an evening. The animal is the quick part — the room around it is what keeps you there.
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Cat sleeping on books. Everything in frame, nothing cropped. A wall of spines: pick three colours and repeat them out of order rather than one per book.
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Choose “Actual size” or “Fit to page”, never “Scale to fit media” — that one crops the drawing at the edges without telling you.
Plain copier paper is fine for pencils. Markers need at least 100 gsm, ideally 120, or the colour comes through onto the next sheet.
Economy and draft settings thin the lines until alcohol markers escape through them. Print these at normal quality, black ink only.
A cat is the easiest thing in the world to draw badly and one of the hardest to draw asleep. The line has to describe a shape with no bones in it. Every cat on these twelve sheets is drawn from the same principle — one continuous outline for the body, separate closed shapes for the paws and the ear insides, nothing hatched.
That matters when you colour them. A tabby is not achieved with shading; it is achieved by leaving the base coat pale and adding stripes as separate strokes over the top, and you can only do that if nothing underneath is fighting you. There is no grey anywhere on these sheets for exactly that reason.
The settings do half the work. A cat in a hammock is a cat plus a garden. A cat on a post office counter is a cat plus twenty small parcels and a set of scales. If the cat is the reason you printed the page, the room around it is what keeps you there for the second hour.
The mini pack is twenty more of these at a lower price than the full collections, because it is meant as the sheet you buy for someone else.
Very. The cats are simple enough for a child to colour and the backgrounds are detailed enough for an adult to enjoy the same sheet.
It is a mini pack — twenty scenes rather than forty. Same line weights, same paper sizes, same licence.
Please do. Credit to cocoalines.online is appreciated and never required.
A few appear in the cozy corner and fireplace sheets. A dog collection is on the list.